MOVIE LOVERS, Echuca Paramount
MOVIE LOVERS
Immerse your mind in film as an art form, films of political or social merit and provoke discussion through challenge.
Movie Lovers films are showcased every month at the Paramount. Commencing in February and running through until December.
Tickets are $13.50 for all in attendance
How To Be A Good Wife
Three of France’s most endearing leading ladies – Juliette Binoche, Noémie Lvovsky and Yolande Moreau – star in HOW TO BE A GOOD WIFE, the glorious new comedy by César-winner Martin Provost ('Séraphine', 'The Midwife') about a regional housekeeping school in the late 1960s, meticulously training teenage girls to become perfect housewives, as society transforms around them.
It’s 1967. The immaculate and morally upright Paulette Van Der Beck (the ever-exquisite Binoche) and her husband Robert have been running Van der Beck’s School of Housekeeping and Good Manners in the lush regions of Alsace for over two decades, with the help of Paulette’s eccentric stepsister Gilberte (Moreau) and the school’s communist-fearing, ex-Resistance nun Marie-Therese (a scene-stealing Lvovsky). Their mission: to train teenagers to become perfect housewives, in times when women were expected to be largely subservient.
After an accident turns clockwork order into chaos, Paulette discovers that the school is on the verge of financial ruin. Forced to assume executive responsibilities, she is flustered even more by an encounter with her long-lost first love, André (Edouard Baer), who becomes relentless in his desire to rekindle their romance. Meanwhile, a sweeping nationwide protest movement is transforming society around them, encouraging the school’s pupils to challenge authority and question their own desires and beliefs… Before long the entire group undertakes a journey of liberation, one that will transform all their lives.
Striking a near-magical tone that’s both satirical and tender, this tale of solidarity looks set to become one of the year’s biggest comedic hits.
It’s 1967. The immaculate and morally upright Paulette Van Der Beck (the ever-exquisite Binoche) and her husband Robert have been running Van der Beck’s School of Housekeeping and Good Manners in the lush regions of Alsace for over two decades, with the help of Paulette’s eccentric stepsister Gilberte (Moreau) and the school’s communist-fearing, ex-Resistance nun Marie-Therese (a scene-stealing Lvovsky). Their mission: to train teenagers to become perfect housewives, in times when women were expected to be largely subservient.
After an accident turns clockwork order into chaos, Paulette discovers that the school is on the verge of financial ruin. Forced to assume executive responsibilities, she is flustered even more by an encounter with her long-lost first love, André (Edouard Baer), who becomes relentless in his desire to rekindle their romance. Meanwhile, a sweeping nationwide protest movement is transforming society around them, encouraging the school’s pupils to challenge authority and question their own desires and beliefs… Before long the entire group undertakes a journey of liberation, one that will transform all their lives.
Striking a near-magical tone that’s both satirical and tender, this tale of solidarity looks set to become one of the year’s biggest comedic hits.
How To Be A Good Wife
Three of France’s most endearing leading ladies – Juliette Binoche, Noémie Lvovsky and Yolande Moreau – star in HOW TO BE A GOOD WIFE, the glorious new comedy by César-winner Martin Provost ('Séraphine', 'The Midwife') about a regional housekeeping school in the late 1960s, meticulously training teenage girls to become perfect housewives, as society transforms around them.
It’s 1967. The immaculate and morally upright Paulette Van Der Beck (the ever-exquisite Binoche) and her husband Robert have been running Van der Beck’s School of Housekeeping and Good Manners in the lush regions of Alsace for over two decades, with the help of Paulette’s eccentric stepsister Gilberte (Moreau) and the school’s communist-fearing, ex-Resistance nun Marie-Therese (a scene-stealing Lvovsky). Their mission: to train teenagers to become perfect housewives, in times when women were expected to be largely subservient.
After an accident turns clockwork order into chaos, Paulette discovers that the school is on the verge of financial ruin. Forced to assume executive responsibilities, she is flustered even more by an encounter with her long-lost first love, André (Edouard Baer), who becomes relentless in his desire to rekindle their romance. Meanwhile, a sweeping nationwide protest movement is transforming society around them, encouraging the school’s pupils to challenge authority and question their own desires and beliefs… Before long the entire group undertakes a journey of liberation, one that will transform all their lives.
Striking a near-magical tone that’s both satirical and tender, this tale of solidarity looks set to become one of the year’s biggest comedic hits.
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It’s 1967. The immaculate and morally upright Paulette Van Der Beck (the ever-exquisite Binoche) and her husband Robert have been running Van der Beck’s School of Housekeeping and Good Manners in the lush regions of Alsace for over two decades, with the help of Paulette’s eccentric stepsister Gilberte (Moreau) and the school’s communist-fearing, ex-Resistance nun Marie-Therese (a scene-stealing Lvovsky). Their mission: to train teenagers to become perfect housewives, in times when women were expected to be largely subservient.
After an accident turns clockwork order into chaos, Paulette discovers that the school is on the verge of financial ruin. Forced to assume executive responsibilities, she is flustered even more by an encounter with her long-lost first love, André (Edouard Baer), who becomes relentless in his desire to rekindle their romance. Meanwhile, a sweeping nationwide protest movement is transforming society around them, encouraging the school’s pupils to challenge authority and question their own desires and beliefs… Before long the entire group undertakes a journey of liberation, one that will transform all their lives.
Striking a near-magical tone that’s both satirical and tender, this tale of solidarity looks set to become one of the year’s biggest comedic hits.